Magic Data Highway

This novel is about manifestation. All the earthly actors strive to gain a deeper understanding of this subject. They are controlled by a rude ghost named Cosmic Dick, called Cosmic Cock by his vassals, hence CC. We change the scene. Now things are happening in the northern Hessian university town of Ederthal. We will introduce the protagonists in a moment. It all boils down to the fusion of two academic couples. On the one hand, the Persephone/Ned pair, which you already know and which is established in the Mecklenburg university and Hanseatic town of G., on the other hand...

Simone Walther is the Post-doc scholarship holder with the clandestine sex appeal, Cornelius Blattschneider is the professor with a restrained performance, but also with this magical charisma. Simone did not learn her mother tongue until she was fourteen, an orphan in a Friedberg family home. Her mother, born in a village near Frankfurt, the metropolis of Hesse (a German federal state), once followed the Franco-Polynesian Oro S. to the Île du Vent Maiao with her half-anonymous conceived daughter and died in a swimming accident soon after arriving on the atoll. Simone grew up among Oro's people in Taora O Mere. She was initiated into the secret order of the Arioi. At the end of a great confusion, she found herself in Friedberg. Simone suffered culture shock in the care of cheerful relatives. We will just mention Aunt Gerda. With far-fetched and made-up arguments, the refrigeration technician and former district table tennis champion conjures up happiness in the Hessian corner. She sympathizes with herself because of her down-to-earth nature and original taste. Simone temporarily became the queen of hearts in all home games. Because of her, suburban daimyos went wild.

Since her early youth Simone has been writing poems. At high school she lost herself in Gothic romanticism.

She prefers skirts to trousers. Sometimes she is almost dazed by her own beauty. Seduction is her favourite game, but so far none of the candidates have been able to match her desire to put on a show. In the end, any lover always turn out to be annoying disappointments.

Simone keeps fit with yoga, Pilates, Kyokushin karate and swimming.

Cornelius, born and grown up in Kassel as the only son of a single mom, is the Language Master (literally the youngest LM ever). Language Master is a historical title. Since the appointment of the first professor for new languages ​​at the Landgrave Philipp University in the small town of Ederthal in northern Hesse, the head of the German and English department has been known as the "language master" in a clandestine ritual. The insignia of his authority include symbols and devices reminiscent of Masonic practices. The language master cult, however, has a different origin, which is revealed in the course of the novel.

The Landgrave Philipp University emerged from a knights' college founded by Philip the Magnanimous and was established in a fortified castle in the century of the Reformation. Philip's nickname did not refer to a mild nature, but to great courage. Philip I was the chief armorer of the Reformation and played a key role in suppressing the peasant uprisings. Brecht said that the peasant uprisings were the greatest German misfortune because they happened too early. Our Landgrave did not get involved out of any particular affection for Luther's teachings. He used the Protestant sword to fight imperial-Catholic claims to parts of Hesse.

In the present day of our novel, a third of the university complex is in danger of collapsing. The cordoned off areas forms the dead wing. Simone loves to perform erotic charades in the rubble of the eras. She is causing a furore beyond the specialist world with her re-evaluation of a constellation that is not only prominent in literary history. It is thanks to her that we have the proof that Aurora-Wanda Sacher-Masoch, supposedly the primal mother as a dominatrix, played her role - obeying necessity - according to the stage directions of her supposedly submissive husband. Simone found her subject via a detour via James Joyce. In Ulysses, the Irish writer composed the married couple Leopold and Molly Bloom based on the Sacher-Masochs. Leopold Bloom is the prototype of the ridiculous man. The final soliloquium in Ulysses, in which Molly babbles on without stopping, is considered the pinnacle of female psychology. Simone is close to completing a general reckoning with this interpretation. She exposes the monologue as a conglomeration of clichés that primarily conveys male prejudices. We see her in her boss's office. She is just taking off her panties. She lifts up her skirt and offers Cornelius her bottom. She has long since become a dangerous rival, we know that she wants to push the Language Master off the academic throne, but when she invites him so warmly to rub his cock in her crack, it looks as if she is subordinate to Cornelius in the structure of power. Cornelius' appétit pantagruélique is not only a boastful gesture. His desire is a match for a repas gargantuesque. See François Rabelais, Gargantua and Pantagruel. Cornelius' claim to air supremacy is formulated uninhibitedly. But there is no doubt that he is losing his strength, and Simone will soon throw him to the Ederthal crocodiles to be eaten. She longs for the North Hessian demigod CC. She begs for his support and becomes so soft in her adoration that Cornelius enjoys the joys of a redeemer.

"Fuck me," Simone whimpers, and Cornelius answers, although he was not even addressed. CC hears his creation and joins in. Simone and CC melt in a French kiss, Simone tenderly strokes her master's shaft and he grants her a youthful cumshot while Cornelius rams her. Four orgasms later, Simone sits at her desk and considers a position with Stefan Zweig.

Called to England by his friends, Erasmus of Rotterdam finds shelter with his extremely energetic friend Thomas More in London in 1509. The holder of important offices leads an exemplary existence and an open house. His closest surroundings resemble a future laboratory. In this sphere, the "joke" (Stefan Zweig) "In Praise of Folly" is created, first published in quarto format in 1511. "The unique and unrepeatable trick of this work is a brilliant mummery: Erasmus does not speak himself to say all the bitter truths that he thinks the powerful of this earth should tell, but instead he sends Stultitia, foolishness, to the podium so that she can praise herself. This creates an amusing qui pro quo."

Bitter Genius

Erasmus blocks the way to a clear classification. The question of who says what covers up the subversive reason for what is being said. The author protects himself from the Inquisition with incredible skill. Zweig recognizes a "sovereign art of masking." He speaks of a "core shot into the heart of the age, made with a completely loose, merely playful hand." The author shows his hero as a diagnostician who has become bitter and bitter before the "doors of the powerful," but who is untouched by any rebellious impulse.

In subsequent editions, Erasmus comments on the work. He describes actual and alleged intentions and explains that his "praise" as a whole "should be read as a pedagogical text" (Sandra Langereis).

The pamphlet hits a nerve. Many believers condemn the licentiousness of Renaissance clergy and demand a church reform according to the wording of the four Gospels. They oppose the "abuse of the relic trade and the nonsense of indulgences". Erasmus exposes the rulers without coming out of hiding. He pleads for a "renaissance of religion". In this way he becomes a mastermind of the Reformation. At the same time he fears a schism.We are only interested in Erasmus' ability to hide himself with words. He says things with impunity that no one else can dare to say. We dedicate this breviary to Erasmus of Rotterdam.

Simone: I am not arrogant, I just know my worth. And it is high. I always sleep stark naked in expensive white linen sheets. Yesterday I enjoyed the pleasure of watching strange porn and cumming while looking at the LinkedIn photo of my favourite boss. Thereafter I stood naked in the white light of the full moon on the terrace of my penthouse, dancing just a little, swaying my hips. Just enyoing my body and being me. How does that make you feel?

Simone: I love these erotic fleeting moments. I like it so much when my favorite boss looks at me with eyes of desire.

Simone: A man who celebrates his excellence and leaves no detail out on the distinction keyboard. ..." I'm here for these heels. I want to cast them in amber and hang them on my walls. Maybe I'll do that. Frame the best, most polished heels and hang them on the walls. With spotlights. And look up at them when I touch myself. Mirrored in the hall of mirrors of the word castle, soaring to new heights and manifesting another wish with every orgasm, making another impossibility possible. New words, new impulses, new narratives, new heights. Best sort of brainfuck. Ever.

Simone: This is the moment of a metamorphosis. My name is Simone now. I am studying English. My parents are professors. I like wearing beautiful dresses and fine underwear and I like to tell people what I am wearing. And if you have what it takes, you can call me ... if it fits and turns me on, and if not, then you should stay well away from a lot of danger.

The Ederthal University emerged from a knights' college founded by Philip the Magnanimous and was established in a fortified castle in the century of the Reformation. In the present day of our story, a third of the complex is in danger of collapsing. The cordoned off areas formed the dead wing. Simone loves to perform erotic charades in the rubble of the eras. There she has also cast a spell on the lecturer Cole. Still a shadow of his former self, he leads a squadron of beautiful opponents who are trying to kill Simone. Simone is undaunted. She comes from a line of immortals. Her ancestors are prominent Hessian personalities. Simone is only seriously subject to the cosmic Dick (Cosmic Dick/Cosmic Cock), who is so in love with her that he only pretends to bully her.